This Readme_Dataset_King.txt file was generated on 2024-02-28 by Katelyn Rose King
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GENERAL INFORMATION
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1. Title of dataset: Supplementary Material to “The Choir as a Pivotal Element in the Synthesis of Language and Sound: Ulrich Rasche’s Musical Theatre”

2. Contributor information:
      Name: King, Katelyn Rose
      Role/Function: Principal investigator and performer
      Institution: Berner Fachhochschule / Hochschule der Künste Bern, https://www.hkb.bfh.ch/ 
      Address:  
      Email: katelyn.king@ymail.com 
      Orcid: https://orcid.org/0009-0000-0521-9384 
      
3. Date of data collection: 
2020-2023

4. Geographic location of data collection:
Deutsches Theater, Berlin

5. Keywords describing the subject of your dataset:
Theatre-musicking; German Contemporary theatre; Ulrich Rasche; Nico van Wersch; Contemporary Choirs in Theatre; ethnographic rehearsal research 

6. Information about funding sources that supported the collection of the data:   
      Funding agency name: N/A
      Grant number: N/A

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SHARING/ACCESS INFORMATION
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1. Licenses/restrictions placed on the data:
CC BY-NC 4.0, https://creativecommons.org/licenses/by-nc/4.0/ 

2. Links to publications that cite or use the data:   

3. Links to other publicly accessible locations of the data: 
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4. Links/relationships to additional data sets:    
Katelyn King: Finding a Post-Human Communitas in Traditional Structures. Ulrich Rasche’s Trilogy at Deutsches Theater Berlin, in: Musicking Collective. Codierungen kollektiver Identität in der zeitgenössischen Musikpraxis der Schweiz und ihrer Nachbarländer, hg. von Leo Dick, Noémie Favennec und Katelyn Rose King, Schliengen: Edition Argus 2024, https://doi.org/10.26045/kp64-6181-017 

5. Was data derived from another source? No

6. Recommended citation for this dataset: 

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DATA & FILE OVERVIEW
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1. File List: 
      Filename: King_Audio_Example_1  
      File format <if not obvious from the file name>: mp3
      File encoding <e.g., utf-8>:
      Short description: Excerpt of van Wersch’s Ableton Live composition, courtesy of Nico van Wersch
      Date of creation: 2020

   Filename: King_Audio_Example_2
      File format <if not obvious from the file name>: mp3
      File encoding <e.g., utf-8>:
      Short description: Excerpt of same musical moment in Audio Example 1 but transcribed for live                                        musicians, courtesy of Deutsches Theater Berlin
      Date of creation: 2020

Filename: King_Audio_Example_3
      File format <if not obvious from the file name>: m4a
      File encoding <e.g., utf-8>:
      Short description: Jessen’s learn-along track for the actors, final choir scene, courtesy of Toni Jessen
      Date of creation: 2020

Filename: King_Video_Example_1
      File format <if not obvious from the file name>: mp4
      File encoding <e.g., utf-8>:
      Short description: Excerpt of 4.48 Psychose final choir scene, courtesy of Deutsches Theater Berlin
      Date of creation: 2020

2. Relationship between files: Data taken from the creation and performances of 4.48 Psychose at Deutsches Theater Berlin

3. Are there multiple versions of the dataset? No

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METHODOLOGICAL INFORMATION
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1. Description of methods used for collection/generation of data:   Audio example 1 was created by Nico van Wersch in Ableton Live and sent to the current author on request for the research of the manuscript. Audio example 2 and video example 1 were both recorded by Deutsches Theater Berlin during one of the performances in 2020 and are archived for rehearsal purposes in the case of a future showing or for stand-in performers. These were done by microphones and camera from their house audio department. Audio example 3 was recorded by Toni Jessen on his phone in 2020 and used for rehearsal purposes with the actors of 4.48 Psychose.